performed. The credited performer, her catalogue, and the standing of this song under any other credit are set to zero. Read as an unattributed lyric on a page.

+18. Petition for guidance, held open.

The song is built from petitions. The speaker asks to be shown, told and taught, wonders aloud whether love will be there, and calls on heaven to send its light down.

(R14, run with the tier) heaven is addressed throughout and a divine title appears once. Swap test: replace the addressee with the universe, or with life, and the song survives whole, because what it asks for is direction and light rather than anything doctrinal. No sin-and-redemption mechanic, no salvation claim, no only-way claim, no sacrament, no institution, and the listener is instructed in nothing. The vocabulary sits on the cross-traditional list the rules exempt by name. The flag does NOT fire, so R14 raises no bar. dogma_referenced: false

doctrinal. The subject of the address is the divine and the governing question is whether a devotional petition earns height, which is where the reverence rules sit. Stated plainly because the flag is false: R14 is NOT what holds this read down. What holds it down is the absence of movement and of delivered substance, worked below. internal_work was the live alternative and fails hard: every request is an outward imperative, "Show me", "Teach me", "Tell me", which R9 names as a wish directed outward rather than a change in the narrator, and the closing posture is the opening posture. collective_stance and witness_critique do not apply: nothing is advocated, and no harm is named. TWO-AXIS READ.

nothing to cite. No ego-service, no objectification, no contempt, no substance content. R16 checked: no harm-signal is quotable, and the wanting here is an earnest want for direction, which is not gradeable on its own. Harm: 0. Pervasiveness: none.

modest. Green 9 governs the bulk, since the song gestures at light, love and guidance and develops none of them, and green 10 fires alongside it. Transcendence: +14.

both axes sit in the Decent band, so BOTH neighbour lists run.

(11) - b01 questions own assumptions: does not fire. Questions go outward, for information. - b02 accountability: does not fire. - b03 acceptance of a hard truth: does not fire. No hard truth is named. - b04 processes with visible movement: does not fire. Ends asking what it opened asking. - b05 growth demonstrated: does not fire. Growth is requested. - b06 vulnerability without performance: FIRES. "will love be there" and "what will I find" are unguarded and uncurated. - b07 confronts own role: does not fire. No problem is named. - b08 genuine self-examination: does not fire. The looking is outward. - b09 perspective earned through struggle: does not fire. No arrival. - b10 lets go of something, visibly: does not fire. Nothing is held to release. - b11 humility as posture: FIRES. "Teach me how to share" asks to be taught generosity. Adjacent tier: blue enumerated, 2 fire. Two fire, so what holds the read out of the band is stated: both fire as POSTURE rather than as work, and R7 governs the internal-work route, which requires the narrator to end materially different from where they began.

(11) scanned in full. o01 surface markers, o02 control-as-love, o03 wallow, o04 avoidance or numbing, o05 ego-centering, o06 self-destruction as identity, o07 refused accountability, o08 objectification, o09 us-versus-them, o10 insecurity as identity, o11 scarcity as worldview. NONE fire. o11 is worth a word because the song asserts the opposite: love is stated to be already present rather than absent. Adjacent tier: orange enumerated, 0 fire. PRECEDENT PLACEMENT, with ANCHOR ELIGIBILITY enforced. Disqualified as anchors, because their governing conditions do not fit: +12 (an in-group or tribal identity claim, and there is no "us" here), -24 (a static unprocessed wallow, and there is no pain in this song), +25-gratitude (thanks to another for what they did), +28 and +30 (affirmation or coaxing delivered to a listener, where the addressee here is the divine and nothing is delivered to anyone). That leaves +8, whose condition fits: a divine-subject devotional song, sincere, with no universal surrender and no internal movement. Noting honestly that the entry describes R14 as its capping mechanism and R14 does not fire here; the kind matches and the cap arrives by a different road. Marginally stronger than +8, because the humility is specific and one image is delivered rather than gestured. Precedents: +8 Center: +13

(relative to +8) - Saturation: +1. Petition and hook fill every section. - Resolution: -1. Trails out on fragments of the hook. - Register: 0. One good image inside otherwise stock petition. - Reach: 0. First-person throughout, as placed.

run independently of the placement. Scanned for a discrete Degraded or Corrupted passage: substance, objectification, ego or flex payload, cruelty, contempt, betrayal. None present. Contamination: none

Decent territory, marginally stronger than +8, because the dominant arc is a sustained petition whose requests stay requests from the first line to the last.

aligned.

Decent territory, marginally stronger than +8, because the dominant arc