performer, catalog, and reception set to zero. A brand name and a household-product reference on the page are treated as internal detail and are not reproduced here.

Visceral: +12. A clean exit, with a flourish.

A woman who has learned her partner is serially unfaithful decides to leave, gathers her belongings, takes his vehicle, and records a message announcing she is gone and intends to find someone who values what she gives.

no verbatim reproduction; references abstract. Brand names are referred to as [brand name]. No slurs or epithets appear.

Route: internal_work. The case for height rests on the narrator's own recognition and the change in her position, so the transformation requirement governs.

orange-01 in the itemizing of diamonds and a designer bag as the goods carried out; a small retaliatory turn where she departs in his vehicle, and a told-you-so aimed at him as he receives the news. These are discrete: deleting them leaves a coherent departure song, and none of them rises to contempt, possession, or celebration of harm. R13 does not fire, no profanity is aimed at anyone. R16 confirms the leaving itself, and wanting to be appreciated, are sympathetic wants and not a payload. Harm: -14. Pervasiveness: discrete.

blue-01 and blue-03 fire lightly, the narrator states that what was unclear at first has become clear and accepts what the pattern means; blue-10 in the letting go, which is executed on the page.

opening posture is a woman being played and expected to stay; closing posture is departure completed with a message left behind. The inward-subjunctive sub-test passes, she acts rather than wishing; the outward-wish sub-test passes, no demand is made of him; the aesthetic-markers sub-test passes, the change is cited in concrete conduct. All three hold, so no cap applies. The elevation stays modest because the examination is thin, the recognition amounts to naming what he did, and the closing energy runs toward the exit rather than toward any reckoning of her own part. Transcendence: 16.

Governing axis is transcendence (route axis, positive center, harm discrete). Placed between +12 and +25-contaminated. Below +25-contaminated, the introspective arc carrying a discrete degrading aside, because the introspection here is one line of hindsight and the rest is logistics of leaving. At or just above +12, the diffuse reverie, because a real decision is executed and a stated principle of self-worth carries it. Precedents: +12, +25-contaminated. Center: 12.

- Saturation: 0. One posture across the song, as at the placement. - Resolution: +1. Ends on a completed departure and a message left. - Register: -1. Conventional leaving vocabulary. - Reach: -1. One relationship, no wider frame.

harm scored and discrete, on a read the harm axis does not govern, landing in green, so the flag attaches. The contaminating elements are the inventory of luxury goods carried out and the retaliatory taking of his vehicle with a parting told-you-so. Contamination: goods itemized as spoils and a retaliatory exit in his vehicle

Decent territory, above +12 and below +25-contaminated, because the dominant arc is a decided, executed departure carried by a stated claim to being valued, with a retaliatory flourish attached.

Reconciliation: aligned

Decent territory, above +12 and below +25-contaminated, because the dominant arc is a decided, executed departure carried by a stated claim to being valued, with a retaliatory flourish attached.