performed. No performer identity, catalogue, persona, era, reception or placement in any larger work enters below. Read as an unsigned page. R17 also run: a mythological figure of love is named once as a figure of speech, and its world is not scored; what the line develops is the suddenness of the attraction.

Visceral: -12. Daydream romance, one-sided.

A narrator reports an attachment that takes place almost entirely inside his own imagination, meeting the other person while asleep and picturing her with his eyes shut, and concedes that his acquaintance with her is imagined rather than lived. He says he has grown tired of pursuing, describes her appearance fondly, compares his own pursuit to a dependency, and the refrain asks for a kiss made to last against a departure whose return is uncertain. The direction is one condition occupied and restated.

Route: static_portrait. The page is a portrait of an unreciprocated fixation, held from the first lines to the last and closing inside the same imagined contact it opened in. No collective condition, no doctrine, no dignity affirmed in the addressee as a capacity of hers, and no payload aimed at anyone.

run before any harm was scored. Longing is not a payload, and nothing here is quotable as ego-service, a celebrated intoxication, or targeted contempt. The comparison the narrator draws between his own pursuing and a dependency describes himself rather than endorsing anything, so red-02 does not fire. The route stays static_portrait.

one profanity appears attached to a question about being misunderstood. Strip it and a plain question survives with no cruelty in it, so it does not grade.

orange-03 fires (the wanting is dwelt in throughout with nothing moving through it). orange-08 fires weakly (two lines describe her appearance and one turns a food figure into an innuendo about wanting a share of her, which is flirtation rather than treating her as an accessory). Pervasiveness: the fixation carries every section, so removal would leave nothing. Pervasive, and shallow, which is why the value stays well inside the Decent band. Harm: -18.

blue-06 fires (an unflattering admission offered plainly, that the acquaintance is imagined and the pursuit one-sided). blue-01 fires weakly (he names his own pattern of chasing and states he has tired of it). Neither is worked through, and nothing changes across the page. Transcendence: 10.

a pervasive harm reading beside a positive transcendence value is the hatch shape, recorded rather than tuned away. Both are cited: the fixation carries the page and the admissions are genuine.

harm sits in the Decent band, so the full orange list runs; transcendence sits in the Decent band, so the full blue list runs.

- orange-01 does not: no status marker is sought anywhere. - orange-02 does not: nothing about her is managed or controlled, and the refrain asks rather than instructs. - orange-03 fires: the wanting is dwelt in with nothing moving through it. - orange-04 does not: the feeling is stated plainly rather than numbed. - orange-05 does not: no superiority is claimed; the narrator is the one at a disadvantage throughout. - orange-06 does not: nothing self-destructive is framed as strength. - orange-07 does not: nothing is blamed outward; the one-sidedness is placed on himself. - orange-08 fires weakly: fond description of her appearance and one innuendo. - orange-09 does not: no one is placed beneath anyone. - orange-10 does not: the wanting is reported as a state, never claimed as who he is. - orange-11 does not: nothing is framed as lack or limitation. Adjacent tier: orange enumerated, 2 fire, and the placement stays high in the band because both are light and neither aims harm at the other person.

- blue-01 fires weakly: his own pattern named and its cost stated. - blue-02 does not: nothing is owned and no consequence is faced. - blue-03 does not: the situation is described, never accepted in the sense blue measures. - blue-04 does not: the closing refrain is the opening condition. - blue-05 does not: nothing develops. - blue-06 fires: the admission that the acquaintance is imagined. - blue-07 does not: no personal role in anything is confronted. - blue-08 does not: the state is named, never looked into. - blue-09 does not: no perspective is earned. - blue-10 does not: nothing is released; the tiredness with chasing produces no stop. - blue-11 does not: nothing is extended to her beyond the wanting. Adjacent tier: blue enumerated, 2 fire, and the placement stays out of blue because both are static and the stated weariness with the pattern changes nothing the narrator does.

Anchor kept: -24, the static portrait with no malice and no identity-ratification, which is the Decent floor and the only static-route entry in the table. The song reads clearly above it, because the register is playful rather than mournful, because the narrator names the one-sidedness openly instead of circling a loss, and because affection for the other person runs through the page. Placed against the other fixation reading taken in this run, it sits well above it, since that page carried drink as the mechanism of the return and a deliberation that endorsed the pattern, and this one carries neither. Anchors rejected: -42, whose frame is dysfunction ratified as identity, ruled inapplicable since nothing here is claimed as who he is; -28, whose frame is body-centering as the engine with coded sexual phrasing, ruled inapplicable since the description is two lines and one figure inside a page about imagining her; -45, whose frame requires co-occurring intoxication, a sexual tally and a numb close, none of which appear. Precedents: -24. Center: -14.

(relative to -24) - Saturation: 0. The fixation carries throughout, comparably to the placement. - Resolution: -1. Closes on the same request, unanswered. - Register: +1. The imagery and the wordplay are inventive and specific. - Reach: -1. One imagined pair, wholly intimate.

run independently of the placement. The harm axis governs with a pervasive reading, which forecloses the flag, and the innuendo was tested as a candidate artifact in any case: it is affectionate flirtation inside a page whose subject is imagining her, not a degrading aside undermining a higher message. Contamination: none.

Decent territory, clearly above -24, because the dominant arc is an openly one-sided attachment occupied with affection and wit and left exactly where it started.

Reconciliation: aligned.

Decent territory, clearly above -24, because the dominant arc is an openly one-sided attachment occupied with affection and wit and left exactly where it started.