performer identity, era, reception and persona set to zero. Read as an unattributed sheet.

Visceral: -62. Body-as-object, hook-carried.

Concept: Command to the women at a party to work their backsides, the narrators sizing up bodies part by part, mapping one as territory, and demanding that sex be passed their way.

Three speakers run a hook that states sex as the only wish and orders a woman to work her backside, then take turns appraising bodies (a rear compared to a speaker cabinet, a chest measured, an award for the body of the year), mapping a body as land to be crossed, comparing the speaker's anatomy to a weapon, and asking for the woman's sex to be passed to him; one verse pauses on hair and clothes. The instruction opens and closes the sheet. Posture: wanting sex and ordering the shaking -> the same, with the group's name signed off.

no public figure; the performers' own stage names and place names used as a body map carry no evidence. Explicit anatomy is referred to abstractly in this argument. No slur.

Route: negative_payload R5(a): first-person actors modelling the behaviour and inviting it. R16 test: harm-signals are quotable throughout (bodies rated by part, a body awarded and then handed a weapon image, a demand that sex be passed over, women in the plural addressed as the party's entertainment). The payload is hook-carried and recurs in every verse, so R8's cumulative principle applies and it is pervasive. The compliment couplet on hair and clothes and the closing disclaimer against paying for sex are a thin surface frame that does not demote the payload. static_portrait tested and set aside: the body-as-object is the engine, not a discrete flex. Every other route declined: nothing examined, named, critiqued or proclaimed.

red-01 fires at engine level (women reduced to backsides and chests, a body rated against equipment, sex demanded as a thing to be passed). orange-08 fires hook-carried alongside it. orange-05 fires (self-praise of prowess: men turned to mice, a back breaker, the wrecker). red-08 fires soft (women at the party cast as a display for the crowd's entertainment). red-05 tested on the pass-it-to-papa line and declined as possession (entitlement to access, nobody held). red-04 declined (no target held in contempt; the mighty-men line is a boast). red-09 declined (the disclaimer refuses transaction). orange-01 declined (no wealth display). No consent frame anywhere on the sheet. Ego: -78. Pervasiveness: pervasive.

no blue or violet tenet fires. Transcendence: 0.

Ego in the Corrupted band: own tier enumerated, to state what holds it there. red-01 fires: cited above, engine level. red-02 does not: no substance. red-03 does not: no violence (the weapon image is sexual boast). red-04 does not: see above. red-05 does not: see above. red-06 does not: no revenge. red-07 does not: nothing named wrong. red-08 fires soft: cited above. red-09 does not: see above. red-10 does not: no destruction. red-11 does not: no numbness. red-12 does not: no nihilism. red-13 does not: no rage. Adjacent tier: red enumerated, 2 fire. What holds it in Corrupted: red-01 is the engine of every verse and the hook, with no consent frame, no courtship thread and women addressed in the plural as interchangeable.

Kept: -75 (serial-conquest cataloguing, partners as an interchangeable roster, first-person braggadocio, explicit objectification as the engine). The song is stronger on the objectification (the body appraised by part throughout, sex demanded as an object) and weaker on the roster (women plural and interchangeable, but no tally of conquests). Kept: -83 (explicit sexual objectification as the whole engine, ego-conquest framing, no sympathetic surface frame). The song is weaker: a compliment couplet and a disclaimer against transaction supply a thin frame, and the conquest boasts are a strand rather than the framing. Rejected: -48-appraisal (its condition is a courtship thread with a wealth display and red-01 at most a line or two; here red-01 is the engine and no wealth appears). -65 (nobody controlled or subjugated, the harm is objectification). -92 (no violence as the point). -28 (coded flirtation is the wrong scale). The party sheet placed at -62 on this pass had a stated consent frame and no roster; this one has neither, which carries it over the line. Sits between -75 and -83, nearer -75 because of the thin frame and the strand-level conquest boast. Precedents: [-75, -83] Center: -76

Saturation: +1. Objectification in the hook and every verse. Resolution: 0. Closes on the same instruction. Register: -1. One hook repeated at length, stock party phrasing. Reach: 0. Speakers to the women in one room.

The ego axis governs and the payload is pervasive, so the song calibrates at the payload's level and the discrete-artifact case does not arise. Contamination: none

Corrupted territory, between -75 and -83, because the dominant arc is explicit objectification as the engine of the hook and every verse, with women addressed in the plural as the room's entertainment and sex demanded as a thing to be passed over.

Reconciliation: the gut placed it at the Degraded ceiling on the party register; deliberation found no consent frame anywhere, women addressed as interchangeable, and red-01 at engine level rather than line level, which the -62 party sheet on this pass lacked.

none. {"visceral_charge": -62, "route": "negative_payload", "harm": {"value": -78, "pervasive": true}, "transcendence": {"value": 0}, "precedent_refs": ["-75", "-83"], "center": -76, "vernier": {"sat": 1, "res": 0, "reg": -1, "reach": 0}, "contaminated": false, "contamination_note": null, "dogma_referenced": false, "dogma_note": null, "charge_summary": "Command to the women at a party to work their backsides, the narrators sizing up bodies part by part, mapping one as territory, and demanding that sex be passed their way.", "confidence": 0.85}

Corrupted territory, between -75 and -83, because the dominant arc is explicit objectification as the engine of the hook and every verse, with women addressed in the plural as the room's entertainment and sex demanded as a thing to be passed over.