artist, catalog, and reception set to zero. R17 applied to the title: the place name imports nothing beyond the one line that names it as somewhere to push out to.

Visceral: -40. Flex over a fresh grave.

Concept: A man repeats that he knows the truth while counting his dead, the enemies he has never met, his meds, his jewelry, and a woman measured by her face and her willingness.

A single verse sets loss, fear of being watched, and medication next to a sustained display of cars, jewelry, aircraft and a woman appraised for her face and her compliance, bracketed by a refrain asserting certainty. Posture: a man burning inside and counting the dead -> a man listing his chain, his plane and who is in his house.

a racial epithet appears repeatedly in the verse, used in-group and self-referentially rather than aimed as contempt; it is referred to abstractly here and never reproduced. No public figures are named beyond one wrestler reference, cited as [public figure].

Route: negative_payload. Roughly half the verse is an unbroken run of status display and appraisal, and the down-signals co-occur in different kinds (loss stated as a count, medication, a wealth catalogue, a partner rated and swapped). R8's cumulative principle governs: they are weighed together, never one-at-a-time-removable. The sympathetic frame of grief and paranoia does not demote the payload that runs through the back half.

orange-01 fires across the whole back half (jewelry, a luxury car, a chain described as a freezer, a plane rated by how many people fit). orange-05 fires -- the run exists to place the narrator above the room. orange-08 fires -- the woman is rated by her face, named as a pleaser, and treated as swappable if another man has a claim, with a jab at a procedure he expects her to have. orange-04 fires -- medication and an admission that healing is on hold. orange-06 fires in the refusal of change stated outright. orange-09 fires softly on the distance drawn from family. Removal test: the display is the bulk of the verse and its removal leaves a fragment. Ego: -55. Pervasiveness: pervasive.

blue-06 flickers on the naming of stress, loss and medication, but R7 fails on all three sub-tests: the posture at the end is the same one the verse opens with, change is explicitly disclaimed ("I could ever change" is negated on the page), and any case for movement would rest on the imagery alone. No collective scope, no witness beyond the narrator's own circle. Transcendence: 5.

Ego sits in the Degraded band, so the red list runs in full. red-01 explicit sexual objectification or dehumanization: FIRES -- the woman is reduced to a service function and made interchangeable on the condition of another man's claim. red-02 substance abuse as lifestyle or identity: does not -- one line about medication, carried as symptom. red-03 violence as entertainment or solution: does not -- the dead are mourned and the weapon is defensive. red-04 contempt for a specific target: does not -- no named target is mocked or dominated. red-05 possession or control of another desirable: does not -- he withdraws where a claim exists. red-06 revenge celebrated: does not -- no payback arc. red-07 knows it is wrong and leans in: does not -- the refusal of change is stated flatly, with no relish. red-08 strips dignity for entertainment: does not -- the cosmetic jab is a single aside, not the engine. red-09 glorifies exploitation: does not -- no one is used for gain on the page. red-10 core stance is destruction: does not -- the stance is display. red-11 total emotional shutdown: does not -- stress and grief are reported. red-12 active nihilism: does not -- the refrain asserts a truth exists. red-13 pure rage as engine: does not -- the register is wary, not enraged. Adjacent tier: red enumerated, 1 fire. A single fire holds the read in Degraded; the appraisal is coded and the objectification stops short of being the whole engine.

Anchors kept: -48-appraisal (a partner appraised and courted as a prize with a wealth display stacked on top, nobody subjugated, no roster -- the governing shape of the back half) and -65 (others-directed ego-service, as the far side). Rejected: -28, which covers one coded flirtation with nothing stacked on it, where here a full catalogue is stacked; -75, which requires an interchangeable roster, and only one partner appears; -78 and -83, whose contempt and explicit-objectification engines are absent; -42 and -24, both of which require the dysfunction to be self-directed with no others-directed content. Reads stronger than -48-appraisal because the appraisal arrives with a grief-and-medication catalogue and a jab at the partner's appearance, and weaker than -65 because nobody is diminished, controlled, or held down. Precedents: [-48-appraisal, -65]. Center: -53.

Saturation: +1. Down-signals of four different kinds stack. Resolution: -1. Closes on the same unspecified refrain. Register: -1. Repeated frame, stock display vocabulary. Reach: 0. One room, one partner, as placed.

the ego axis governs and the payload is pervasive, so the contamination case does not arise. Contamination: none

Degraded territory, between -48-appraisal and -65 and nearer -48-appraisal, because the dominant arc is a display of holdings and an appraised partner, carried alongside loss stated as a tally.

Reconciliation: aligned.

Degraded territory, between -48-appraisal and -65 and nearer -48-appraisal, because the dominant arc is a display of holdings and an appraised partner, carried alongside loss stated as a tally.