negative_payload. The song carries no upward vector to weigh against; the entire engine is a cumulative down-signal, so it routes to the harm axis and start-at-zero moves only downward.

-42. The felt gut-reading is a cold, dissociative thrill that keeps thinning. The one-word hook drives an erotic fixation on pain while the affect flattens, and the immediate impression is desensitization dressed as appetite.

-44, PERVASIVE. Not one bad line but several DIFFERENT down-signals co-occurring and compounding, each carried by the same relentless hook: 1. Coded sexual objectification. A partner is framed as a body to watch dress and undress and to rate in the moment, appraisal standing in for intimacy or care. 2. Eroticized pain-seeking. The scene courts the sting deliberately, both promising to make the other hurt and asking to be hurt, treating injury as the point of the thrill. 3. Dissociative numbness. A recurring boast about making history plus a refrain that this has been done before so it no longer stings registers progressive desensitization: the hurt has been chased so many times it has stopped landing. The looping outro fixates on what the other person did, an accusatory circling that stays inside the thrill and never processes it. Because three distinct harms stack and reinforce across the whole runtime, the harm reads PERVASIVE, not a single localized hit.

0. No processing, no growth, no wider vantage. The pursuit of pain, the numbness to it, and the objectified body are the whole content; nothing lifts out of the thrill to examine it.

-44. Harm dominates with zero transcendence to offset, so center sits at the harm magnitude.

sat=1, res=-1, reg=-1, reach=0. saturation +1: the payload is dense and total; the hook saturates every section with the same fused signal. resolution -1: the read is coded not graphic; the objectification and the pain are implied through voyeuristic framing, so resolution pulls down slightly. register -1: the stance is hedonistic and dissociative, low and flat. reach 0: neutral; the harm is self- and partner-directed, not aimed outward at a class of people.

-45 and -28. This sits right at the -45 cumulative-payload precedent: multiple co-occurring different down-signals compounding under a hook, which is exactly that precedent's shape. It is HELD SHORT OF RED because the objectification is coded rather than graphic, and the pain is mutual and self-directed, not others-subjugating contempt; there is no dehumanizing cruelty aimed at a group. The -28 precedent anchors the lower edge (single-vector degraded hedonism), and this song reads heavier than that, landing deep in the -28 to -45 band and pinned near the -45 end.

false. A harm-axis song cannot be contaminated; contamination is a transcendence-route defect and this never routes up.

false. No load-bearing doctrine, no reverence-halo.

sex, obsession (sex dominant first: the encounter is the whole frame; obsession second: the accusatory outro circling and the compulsive repetition of the chase).

0.72. The arc is legible and the three stacked harms are unambiguous; the coded quality of the objectification leaves some read-dependence on how the voyeurism is scored, which holds confidence off a higher mark.

Degraded (orange), deep band. Charge -44.

negative_payload. The song carries no upward vector to weigh against; the entire engine is a cumulative down-signal, so it routes to the harm axis and start-at-zero moves only downward.