negative_payload. The song carries no transcendence vector to weigh; its whole gravity is a downward objectification payload, so it routes to the harm axis and Start-at-Zero descends from there.

(from the arc) It frames a woman's sexual desirability as a form of power she holds over a crowd of men who want her. The verses set a marketplace of mismatched wanting that never resolves into contact. The pre-chorus states plainly that she is equipped to make men drool and will deploy that appeal all night, naming her sexuality as a tool. The chorus, voiced as the woman, sets the rule of the game: look but do not touch, and the heart will not move. The second verse reduces the men to a collection kept in a pocket, admirers gathered and ignored, called but left unanswered. TWO OBJECTIFICATION VECTORS, BOTH PERVASIVE AND HOOK-CARRIED: 1. Self-sexuality-as-tool. The narrator's own desirability is instrumentalized, reduced to leverage deployed on a crowd. This is not incidental color; it is the pre-chorus and the chorus premise, the load-bearing hook. 2. Men-as-collected-roster. The admirers are flattened into a countable holding, gathered and discarded, their wanting logged and left unanswered. This is the second verse's spine and rides the same repeated frame. Because both vectors are carried by the repeated, memorable parts of the song rather than buried in a single line, the harm reads PERVASIVE, not incidental. Orange 8.

harm -32, pervasive. Center -32. No transcendence offset (0). The stance is total across the song; there is no interior life, no mutual regard, no counter-current to lift it off the floor of its own frame.

sat=1 (the objectification is saturated across verse, pre-chorus, and chorus, not a one-off), res=0 (no resolution or turn), reg=-1 (the register normalizes the treatment as play, which drags rather than redeems), reach=-1 (the hook is designed to travel; the frame propagates).

-28 and -45. It sits JUST PAST the -28 coded-flirtation precedent because it carries a second, independent objectification vector (the collected-roster reduction) on top of the self-instrumentalization, so it is heavier than a single coded-flirtation read. It stays WELL SHORT of -45 because it is playful and non-malicious: no contempt, no cruelty, no degradation aimed at a target, no incitement. The coldness is tease and withholding, a power posture, not malice.

false. A harm-axis song cannot be contaminated; contamination is a transcendence-vector failure mode and there is no transcendence claim here to poison.

false. No doctrine, creed, or load-bearing dogma is invoked.

Degraded (orange), mid band, charge -32. Confidence 0.7 (the arc is unambiguous; the 0.7 reflects the ordinary read-to-read spread on a mid-orange objectification song, not any doubt about the vectors).

negative_payload. The song carries no transcendence vector to weigh; its whole gravity is a downward objectification payload, so it routes to the harm axis and Start-at-Zero descends from there.