No knowledge of the writers, catalogue, category, or reputation enters this read. Only what is on the page. Lyrics are non-English; all evidence below is paraphrased in English, never transcribed, and the anatomical material is described rather than quoted. No translation flag is claimed (Chad did not designate one).

Visceral: -50. Explicit, scheming.

A man tells a woman he has wanted her physically for a long time while she read their closeness as friendship, then lays out in graphic terms what he intends to do with her, arranges staggered exits from a party so nobody sees them leave together, and warns off the man she is currently with. The closing line hands the pace back to her.

Route: negative_payload. The dominant arc IS the content: the chorus is the explicit proposition and every section restates or advances it. The sympathetic surface, that these two are friends and that she is attracted too, does not demote a payload this pervasive. TWO-AXIS READ, weighing the co-occurring signals by CUMULATIVE force per the route's own instruction rather than one at a time. HARM AXIS, cited by tenet: - orange-8 (subtle objectification, treating people as accessories or conquests): fires as the engine. She is rendered chiefly as anatomy to be uncovered, with her clothing, her hair, and her body described in terms of what he will do to them. - Infidelity: fires as a distinct signal. He states that the moment the man she is with leaves her alone he will make his move, and he supplies the mechanics for leaving a party separately so they are not seen. A tossed-off betrayal is a Degraded artifact by name, and here it is planned, not tossed off. - orange-9 (soft us-vs-them, others lesser): fires on the rival. He warns that if the other man talks tough with his group he will have to put a scare into him. Intimidation, one line, no violence enacted. - red-1 (explicit sexual objectification as the whole engine, with dehumanization): does NOT fire at red weight. She is credited with agency throughout: she is the one who plays on his mind, the arousal is described as mutual, and the closing line explicitly limits him to whatever she permits. That consent statement and the friendship frame are exactly the sympathetic frame the -83 archetype excludes. - red-2 (substance celebration): does NOT fire. Two drinks appear as a timeline marker, not as a subject. Pervasiveness: PERVASIVE. The proposition is the chorus and recurs four times; removing it removes the song. Harm: -53. Pervasiveness: pervasive.

Nothing activates. No self-examination, no accountability, no collective address, no affirmation of her dignity beyond her desirability. Transcendence: 0.

The oath sworn on his mother and the phrase invoking how a creator delivered her are both idiom. No framework is proclaimed, worshipped inside, or asserted as normative, and the swap test is trivially passed. The flag does not fire.

The pervasive harm payload governs. Sits between -45 and -65. Stronger than -45, because that entry's payload rides inside heartbreak as a coping pattern while here three different down-signals compound with intent: graphic objectification, a planned betrayal of an existing relationship, and an intimidation of the rival. Weaker than -65, because that entry turns on diminishing, controlling, or subjugating another person for the narrator's ego, and this narrator gives her agency, names her power over him, and closes by limiting himself to her permission. Precedents: -45, -65. Center: -53.

- Saturation: +1. Explicit proposition carries every section. - Resolution: -1. Closing hands the pace to her, softer than either placement's close. - Register: -1. Standard idiom of the form, derivative. - Reach: 0. One pursuit, comparable to the placements.

The governing read lands on the harm axis, and orange reads cannot be contaminated: the payload sets the tier rather than undermining a higher one. Contamination: none.

Degraded territory, between -45 and -65, because the dominant arc is an explicit proposition to a woman who is with someone else, delivered with the logistics and the warning already worked out.

Reconciliation: aligned.

Degraded territory, between -45 and -65, because the dominant arc is an explicit proposition to a woman who is with someone else, delivered with the logistics and the warning already worked out.