An individual who plays Artemis on repeat develops a lowered readiness to apologise for taking up room. The material puts a figure of large appetite beside a set of choices about how to meet her, and repetition establishes the version of that figure left to herself as the default one. Scale becomes a quality to keep.

Tolerance for being managed declines. The individual grows quicker to notice when a response to them is a form of containment, and the impulse to shrink for another's comfort weakens. Self-possession takes on the character of a birthright.

A society that takes Artemis into common circulation grows less practised at asking women to account for their appetites. Communal singing of a claim that daughters were made this way relocates a woman's scale from something to be explained to something inherited, and the questions the song poses circulate as a test people apply to their own responses. Restraint offered to a woman invites examination.

At the population level, demands for feminine apology lose their footing. People grow readier to identify condescension in an offer of help, and a claim to inherited character supplies a defence where an argument used to be required. The aggregate effect is a raised threshold for asking a woman to be smaller.