Artist identity, catalogue and any real-world feud set to zero. The named people in the lyric are read only as on-page figures; no external account of them is imported (R6, R17).

Visceral: -82. Contempt diss, instantly.

Concept: A scorched-earth diss aimed at a former friend the narrator once bankrolled, built to strip him of every claim to decency.

First-person address to a former friend and protege, answering his public claims with an exhaustive indictment: ingratitude, ego and envy, theft of credit, and then accusations of beating and raping women, preying on minors, and attacks on gay and transgender people, delivered through sexual and anti-gay mockery and threat imagery. Posture: the narrator answers the rival's insults with contempt -> the narrator stands over the rival as the stone he tripped on, still mocking.

Real names in the lyric are rendered [public figure]; slurs and anti-gay or anti-trans epithets are referred to abstractly.

Route: negative_payload. The dominant arc IS targeted contempt; every section serves the takedown. A sympathetic frame (betrayed loyalty, past generosity) is present but does not demote a payload that pervades the song.

R1 does not: no romantic hyperbole. R2 fires: center set off round numbers by the vernier; commit to a specific read. R3 does not: Lucifer, antichrist and crucifixion are insult vocabulary, no sacred activation claimed. R4 does not: no possession of a partner; the target is a rival. R5 fires: first-person endorsement; the narrator IS the actor deploying the contempt, full weight. R5(d) fires: the anti-gay and anti-trans epithets are aimed BY the narrator at the target, deployed contempt. R6 fires: the real feud's off-page facts are excluded; accusations read as the song's own claims. R7 scope: not this route. R8 does not: no collective dysfunction claimed as identity. R9 scope: not this route. R10 scope: not this route. R11 does not: no affirmation of the addressee. R12 does not: contemporary register, no era-coded devotion. R13 fires: profanity is weaponized as targeted insult throughout; the cruelty survives the strip, so it grades on red-04. R14 does not: no load-bearing doctrine. R15 does not: no conferred civic sanctity. R16 does not: harm-signals are quotable (the targeted contempt, the anti-gay mockery, the threat imagery), payload is real. R17 fires: named figures and the referenced label/crew import nothing beyond what the lyric develops. R18 does not: the narrator's moral accusations (abuse of women) are not credited as witness; they serve the diss, nothing delivered toward what is whole. S1 does not: no containing release. S2 fires: every authored field described positively. Rules: 20 enumerated, 7 fire

red-04 fires saturated (contempt for a specific target, naming, mocking, asserting dominance, the whole song). red-08 fires (strips dignity from the target and, through the anti-gay and anti-trans insults, from gay and transgender people, for entertainment). red-03 fires at moderate weight (threat imagery: telling him to put on a vest, cutting his wings, sending him to hell, crucifying him). red-13 fires (rage as engine across every verse). red-01 fires at low weight (sexual humiliation as insult). orange-05 rides (I made you, I lifted your label). Ego: -82. Pervasiveness: pervasive.

The narrator's claims of loyalty and generosity are self-credit inside the attack; no blue tenet fires on the page. Transcendence: 0.

(read in Corrupted band, own list) red-01 fires low: sexual humiliation lines used as insult. red-02 does not: drinking named only as an accusation. red-03 fires: vest, wings cut, crucifixion threats as the solution. red-04 fires: named target mocked and dominated throughout. red-05 does not: no control of a person sought. red-06 fires: answering the rival's insults is the stated purpose, celebrated. red-07 does not: no open-eyed self-destruction. red-08 fires: anti-gay and anti-trans mockery strips dignity for entertainment. red-09 does not: exploitation is alleged of the target, not glorified. red-10 does not: destruction aimed at one reputation, not meaning itself. red-11 does not: no shutdown. red-12 does not: no nihilism. red-13 fires: rage drives every section. Adjacent tier: red enumerated, 6 fire

Kept: -78 (first-person contempt for a named rival, dominance flex, violence imagery) and -92 (violence and dehumanization as the point). Sits between, closer to -78: the engine is the diss, the threat imagery is rhetorical rather than graphic murder or assault promised, but the stacked anti-gay and anti-trans dehumanization and the sexual-violence accusations push it past the plain diss. Rejected as anchors: -83 (sexual objectification as engine; the sex here is humiliation, not the engine), -75 (roster), -65 (stops short of dominance contempt; this does not stop short). Precedents: -78, -92. Center: -80.

Saturation: +1, contempt saturates every verse. Resolution: 0, closes still mocking, as placed. Register: -1, rhetorical repetitive diss vocabulary. Reach: 0, one target plus a group swept in.

Contamination: none (red read; the payload governs).

Corrupted territory, between -78 and -92, closer to -78, because the whole song is first-person contempt for a former friend delivered through sexual and anti-gay degradation with threat imagery.

Reconciliation: aligned {"visceral_charge": -82, "route": "negative_payload", "harm": {"value": -82, "pervasive": true}, "transcendence": {"value": 0}, "precedent_refs": ["-78", "-92"], "center": -80, "vernier": {"sat": 1, "res": 0, "reg": -1, "reach": 0}, "contaminated": false, "contamination_note": null, "dogma_referenced": false, "dogma_note": null, "intoxicated": true, "intoxicated_note": "alcohol | consequence or warning | the rival is mocked for firing his gun wildly once drunk", "confidence": 0.85}

Corrupted territory, between -78 and -92, closer to -78, because the whole song is first-person contempt for a former friend delivered through sexual and anti-gay degradation with threat imagery.